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William Blake

We currently have seventeen poems by William Blake. You can listen to them all one after the other using the playlist below or if you prefer you can click the links further down to read a specific poem whilst listening to it.

Read and listen to Introduction to Songs of Innocence

Piping down the valleys wild,
Piping songs of pleasant glee,
On a cloud I saw a child,
And he laughing said to me:

“Pipe a song about a Lamb!”
So I piped with merry cheer.
“Piper, pipe that song again;”
So I piped: he wept to hear.

“Drop thy pipe, thy happy pipe;
Sing thy songs of happy cheer!”
So I sang the same again,
While he wept with joy to hear.

“Piper, sit thee down and write
In a book, that all may read.”
So he vanish’d from my sight;
And I pluck’d a hollow reed,

And I made a rural pen,
And I stain’d the water clear,
And I wrote my happy songs
Every child may joy to hear.

Read and listen to The Echoing Green

The sun does arise,
And make happy the skies.
The merry bells ring
To welcome the Spring.
The sky-lark and thrush,
The birds of the bush,
Sing louder around,
To the bells’ cheerful sound. 
While our sports shall be seen
On the Ecchoing Green.
 
Old John, with white hair 
Does laugh away care,
Sitting under the oak,
Among the old folk, 
They laugh at our play, 
And soon they all say.
‘Such, such were the joys. 
When we all girls & boys, 
In our youth-time were seen, 
On the Ecchoing Green.’
 
Till the little ones weary
No more can be merry
The sun does descend,
And our sports have an end: 
Round the laps of their mothers, 
Many sisters and brothers,
Like birds in their nest,
Are ready for rest;
And sport no more seen,
On the darkening Green. 

Read and listen to The Lamb

Little Lamb, who made thee? 

Dost thou know who made thee?

Gave thee life, and bid thee feed, 

By the stream and o’er the mead; 

Gave thee clothing of delight,

Softest clothing, woolly, bright; 

Gave thee such a tender voice, 

Making all the vales rejoice? 

Little Lamb, who made thee? 

Dost thou know who made thee?



Little Lamb, I’ll tell thee, 

Little Lamb, I’ll tell thee. 

He is called by thy name, 

For He calls Himself a Lamb. 

He is meek, and He is mild;

He became a little child.

I a child, and thou a lamb, 

We are called by His name. 

Little Lamb, God bless thee! 

Little Lamb, God bless thee!

Read and listen to The Little Black Boy

My mother bore me in the southern wild,

And I am black, but oh my soul is white!

White as an angel is the English child,

But I am black, as if bereaved of light.



My mother taught me underneath a tree,

And, sitting down before the heat of day,

She took me on her lap and kissed me,

And, pointed to the east, began to say:



”Look on the rising sun: there God does live,

And gives His light, and gives His heat away,

And flowers and trees and beasts and men receive
Comfort in morning, joy in the noonday.



”And we are put on earth a little space,

That we may learn to bear the beams of love

And these black bodies and this sunburnt face

Is but a cloud, and like a shady grove.



”For when our souls have learn’d the heat to bear,
The cloud will vanish, we shall hear His voice,
Saying, ‘Come out from the grove, my love and care,
And round my golden tent like lambs rejoice’,

“

Thus did my mother say, and kissed me;

And thus I say to little English boy.

When I from black and he from white cloud free,
And round the tent of God like lambs we joy



I’ll shade him from the heat till he can bear

To lean in joy upon our Father’s knee;

And then I’ll stand and stroke his silver hair,

And be like him, and he will then love me.

Read and listen to Cradle song

Sleep, sleep, beauty bright,
Dreaming in the joys of night;
Sleep, sleep; in thy sleep
Little sorrows sit and weep.

Sweet babe, in thy face
Soft desires I can trace,
Secret joys and secret smiles,
Little pretty infant wiles.

As thy softest limbs I feel
Smiles as of the morning steal
O’er thy cheek, and o’er thy breast
Where thy little heart doth rest.

O the cunning wiles that creep
In thy little heart asleep!
When thy little heart doth wake,
Then the dreadful night shall break.

Read and listen to Holy Thursday

Twas on a Holy Thursday their innocent faces clean
The children walking two & two in red & blue & green
Grey-headed beadles walk’d before with wands as white as snow,
Till into the high dome of Pauls they like Thames waters flow

O what a multitude they seem’d these flowers of London town
Seated in companies they sit with radiance all their own
The hum of multitudes was there but multitudes of lambs
Thousands of little boys & girls raising their innocent hands

Now like a mighty wind they raise to heaven the voice of song
Or like harmonious thunderings the seats of Heaven among
Beneath them sit the aged men wise guardians of the poor
Then cherish pity, lest you drive an angel from your door

Read and listen to The Chimney Sweeper

When my mother died I was very young,
And my father sold me while yet my tongue
Could scarcely cry ‘Weep! weep! weep! weep!’
So your chimneys I sweep, and in soot I sleep.

There’s little Tom Dacre, who cried when his head,
That curled like a lamb’s back, was shaved; so I said,
‘Hush, Tom! never mind it, for, when your head’s bare,
You know that the soot cannot spoil your white hair.’

And so he was quiet, and that very night,
As Tom was a-sleeping, he had such a sight! —
That thousands of sweepers, Dick, Joe, Ned, and Jack,
Were all of them locked up in coffins of black.

And by came an angel, who had a bright key,
And he opened the coffins, and let them all free;
Then down a green plain, leaping, laughing, they run,
And wash in a river, and shine in the sun.

Then naked and white, all their bags left behind,
They rise upon clouds, and sport in the wind;
And the Angel told Tom, if he’d be a good boy,
He’d have God for his father, and never want joy.

And so Tom awoke, and we rose in the dark,
And got with our bags and our brushes to work.
Though the morning was cold, Tom was happy and warm:
So, if all do their duty, they need not fear harm.

Read and listen to The Divine Image

To Mercy, Pity, Peace, and Love
All pray in their distress
And to these virtues of delight
Return their thankfulness.

For Mercy, Pity, Peace, and Love,
Is God our Father dear;
And Mercy, Pity, Peace, and Love,
Is man, His child and care.

For Mercy has a human heart;
Pity, a human face;
And Love, the human form divine:
And Peace the human dress.

Then every man, of every clime,
That prays in his distress,
Prays to the human form divine:
Love, Mercy, Pity, Peace.

And all must love the human form,
In heathen, Turk, or Jew.
Where Mercy, Love, and Pity dwell,
There God is dwelling too.

Read and listen to Night

The sun descending in the west,
The evening star does shine;
The birds are silent in their nest,
And I must seek for mine.
The moon, like a flower,
In heaven’s high bower,
With silent delight
Sits and smiles on the night.

Farewell, green fields and happy groves,
Where flocks have took delight.
Where lambs have nibbled, silent moves
The feet of angels bright;
Unseen they pour blessing,
And joy without ceasing,
On each bud and blossom,
And each sleeping bosom.

They look in every thoughtless nest,
Where birds are covered warm;
They visit caves of every beast,
To keep them all from harm.
If they see any weeping
That should have been sleeping,
They pour sleep on their head,
And sit down by their bed.

When wolves and tigers howl for prey,
They pitying stand and weep;
Seeking to drive their thirst away,
And keep them from the sheep.
But if they rush dreadful,
The angels, most heedful,
Receive each mild spirit,
New worlds to inherit.

And there the lion’s ruddy eyes
Shall flow with tears of gold,
And pitying the tender cries,
And walking round the fold,
Saying, ‘Wrath, by His meekness,
And, by His health, sickness
Is driven away
From our immortal day.

‘And now beside thee, bleating lamb,
I can lie down and sleep;
Or think on Him who bore thy name,
Graze after thee and weep.
For, washed in life’s river,
My bright mane for ever
Shall shine like the gold
As I guard o’er the fold.

Read and listen to On Another's Sorrow

Can I see another’s woe,
And not be in sorrow too?
Can I see another’s grief,
And not seek for kind relief?

Can I see a falling tear,
And not feel my sorrow’s share?
Can a father see his child
Weep, nor be with sorrow filled?

Can a mother sit and hear
An infant groan, an infant fear?
No, no! never can it be!
Never, never can it be!

And can He who smiles on all
Hear the wren with sorrows small,
Hear the small bird’s grief and care,
Hear the woes that infants bear—

And not sit beside the next,
Pouring pity in their breast,
And not sit the cradle near,
Weeping tear on infant’s tear?

And not sit both night and day,
Wiping all our tears away?
Oh no! never can it be!
Never, never can it be!

He doth give his joy to all:
He becomes an infant small,
He becomes a man of woe,
He doth feel the sorrow too.

Think not thou canst sigh a sigh,
And thy Maker is not by:
Think not thou canst weep a tear,
And thy Maker is not year.

Oh He gives to us his joy,
That our grief He may destroy:
Till our grief is fled an gone
He doth sit by us and moan.

Read and listen to The Little Boy Lost - Found

Father, father, where are you going
O do not walk so fast.
Speak father, speak to your little boy
Or else I shall be lost,

The night was dark no father was there
The child was wet with dew.
The mire was deep, & the child did weep
And away the vapour flew.

The Little Boy Found

The Little boy lost in the lonely fen,
Led by the wand’ring light’
Began to cry; but God, ever nigh,
Appear’d like his father, in white.

He kissed the child, and by the hand led,
And to his mother brought,
Who in sorrow pale, thro’ the lonely dale,
Her little boy weeping sought.


Read and listen to To Winter

O Winter! bar thine adamantine doors:
The north is thine; there hast thou built thy dark
Deep-founded habitation. Shake not thy roofs,
Nor bend thy pillars with thine iron car.’

He hears me not, but o’er the yawning deep
Rides heavy; his storms are unchain’d, sheathèd
In ribbèd steel; I dare not lift mine eyes,
For he hath rear’d his sceptre o’er the world.

Lo! now the direful monster, whose 1000 skin clings
To his strong bones, strides o’er the groaning rocks:
He withers all in silence, and in his hand
Unclothes the earth, and freezes up frail life.

He takes his seat upon the cliffs,–the mariner
Cries in vain. Poor little wretch, that deal’st
With storms!–till heaven smiles, and the monster
Is driv’n yelling to his caves beneath mount Hecla.

Read and listen to Jerusalem

Jerusalem

By William Blake

And did those feet in ancient time
Walk upon England’s mountains green?
And was the holy Lamb of God
On England’s pleasant pastures seen?

And did the Countenance Divine
Shine forth upon our clouded hills?
And was Jerusalem builded here
Among these dark Satanic mills?

Bring me my bow of burning gold:
Bring me my arrows of desire:
Bring me my spear: O clouds unfold!
Bring me my chariot of fire.

I will not cease from mental fight,
Nor shall my sword sleep in my hand
Till we have built Jerusalem
In England’s green and pleasant land.

Read and listen to London

I wandered through each chartered street,
Near where the chartered Thames does flow,
A mark in every face I meet,
Marks of weakness, marks of woe.

In every cry of every man,
In every infant’s cry of fear,
In every voice, in every ban,
The mind-forged manacles I hear:

How the chimney-sweeper’s cry
Every blackening church appals,
And the hapless soldier’s sigh
Runs in blood down palace-walls.

But most, through midnight streets I hear
How the youthful harlot’s curse
Blasts the new-born infant’s tear,
And blights with plagues the marriage-hearse.

Read and listen to The Garden of Love

The Garden of Love

By William Blake

 I went to the Garden of Love,
And saw what I never had seen;
A Chapel was built in the midst,
Where I used to play on the green.

And the gates of this Chapel were shut
And “Thou shalt not,” writ over the door;
So I turned to the Garden of Love
That so many sweet flowers bore.

And I saw it was filled with graves,
And tombstones where flowers should be;
And priests in black gowns were walking their rounds,
And binding with briars my joys and desires.

Read and listen to The Tyger

The Tyger

By William Blake

Tyger! Tyger! burning bright,
In the forests of the night,
What immortal hand or eye
Could frame thy fearful symmetry?

In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand dare sieze the fire?

And what shoulder, & what art,
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? & what dread feet?

What the hammer? what the chain?
In what furnace was thy brain?
What the anvil? what dread grasp
Dare its deadly terrors clasp?

When the stars threw down their spears,
And water’d heaven with their tears,
Did he smile his work to see?
Did he who made the Lamb make thee?

Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Dare frame thy fearful symmetry?

Read and listen to A Poison Tree

I was angry with my friend;
I told my wrath, my wrath did end.
I was angry with my foe:
I told it not, my wrath did grow.

And I water’d it in fears,
Night & morning with my tears:
And I sunned it with smiles,
And with soft deceitful wiles.

And it grew both day and night.
Till it bore an apple bright.
And my foe beheld it shine,
And he knew that it was mine.

And into my garden stole,
When the night had veil’d the pole;
In the morning glad I see;
My foe outstretched beneath the tree.

William Blake - 1757 - 1827

Was an English poet, painter, and printmaker. Largely unrecognised during his lifetime, Blake is now considered a seminal figure in the history of the poetry and visual arts of the Romantic Age. What he called his prophetic works were said by 20th-century critic Northrop Frye to form “what is in proportion to its merits the least read body of poetry in the English language”. His visual artistry led 21st-century critic Jonathan Jones to proclaim him “far and away the greatest artist Britain has ever produced”. In 2002, Blake was placed at number 38 in the BBC’s poll of the 100 Greatest Britons. While he lived in London his entire life, except for three years spent in Felpham, he produced a diverse and symbolically rich œuvre, which embraced the imagination as “the body of God” or “human existence itself”.

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